ELEKTRIK
Steady Electronic vibes all night: Techno/Alt Dance/Electro Doors 10pm Only $5 cover all night feat. Paul T (PHL) Gravers Lane
Night Drive
The Return of NIGHT DRIVE……Synthwave / Nu Disco / TechnoFree Philly Soft Pretzels / Glow Wear$5 advanced tickets / $10 at door feat. DJ Paul T (PHL)
All Love No Hate
YOU’RE INVITED‼️ Friday June 10th we will be turning up @kungfunecktie_bar for my first time! for one of the most hype Pride parties yet with some of the hottest music! Come get lit with all your friends for a night you won’t forget and wear your best Rainbow/Pride outfits that fit you the best! 🌈🔥Sound by: @hashlandDoors open 10pm-2am1248 N Front Street, Philadelphia PaTickets $10 with link, 15$ at door, 21+ eventTicket link in bio and on flyer!Tickets may also be purchased at the door WITH EXACT CHANGE ONLY or venmo/cashapp will be availableBring your cash ($$$) for a cash bar, female exotic dancers, performances, and more!Sponsors: @artofsmoke.shop @smoothscreamerydress code: Rainbow/Pride colors (wear rainbow/pride colors that fit your style the best no type of specific outfit or style required) not mandatory but try 😉 welcome to all types of people so show out!!!Flyer by: @dimeloyuyo
Rottrevore ~ Ritual Mass ~ Vaamatar ~ Blood Spore
ROTTREVORE Death metal band from North Charleroi, Pennsylvania, formed in November 1989. Originally active from 1989-1995. Reformed again, as of 2011.https://youtu.be/KLNLZaBrxboRITUAL MASShttps://ritualmass.bandcamp.com/album/abhorred-in-the-eyes-of-godVAAMATARhttps://vaamatar.bandcamp.com/album/evil-witching-black-metalBLOOD SPOREhttps://bloodspore.bandcamp.com/
Direct Hit! ~ Crossed Keys ~ Twentytwo
**All events 21+ — valid ID required for entry**Doors: 7:00 pmShow: 7:30 pmDIRECT HIT!Direct Hit is a midwestern punk band, led by singer/songwriter Nick Woods since 2007. Featuring a rotating cast of members influenced in equal measure by The Ramones, The Thermals, Blink 182 and Andrew WK, the group signed to San Francisco’s Fat Wreck Chords in 2015, and will feature long-time drummer Logan Stang, along with collaborators Ben Sargent and Patrick Schwoegler at this year’s Breakin’ Even Fest.CROSSED KEYShttps://crossedkeys.bandcamp.com/TWENTYTWOPennsylvania punk rock since 2019. Featuring members of prior bands including Bangarang!, Man Overboard, and Your Best Regret; twentytwo. recorded their introductory 4-song EP with producer Pete Steinkopf of the Bouncing Souls in January of 2020 which was then mastered by Alan Douches (Saves the Day, AVAIL, Lifetime) for release in March of 2020.https://open.spotify.com/artist/7qxm6EIJjNxlV7xJ95oIzJ?si=KmFkN4IVQNO4Z_H7ac-tWg&nd=1
Cowboy Boy ~ Bröthers ~ King Azaz ~ Queasy
**All shows 21+ Valid ID required for entry**Doors: 6 PMShow: 7 PMCOWBOY BOYPink, glittery power pop. https://cowboyboyband.bandcamp.com/album/good-girlBRÖTHERSBröthers is an all femme rock band from Philly.https://brthers.bandcamp.com/ KING AZAZKing Azaz are anti-capitalist, anti-racist, anti-fascist queer people making music to fuel and feed themselves. Beyond genre, they find their identities and sound on a political axis. King Azaz makes music like they need to, because they can’t live without the crash of it all. They are percussive in practice and emo in pathos, always punctuating their own grief and fear.https://kingazaz.bandcamp.com/album/forever-greenQUEASYhttps://queasyphl.bandcamp.com/album/queasy
Stop Light Observations ~ Little Bird
**All events 21+—Valid ID required for entry**Doors: 7 pmShow: 7:30 pmSTOP LIGHT OBSERVATIONSSLO is a 4-piece anti-pop/not rock (but also isn’t not rock) band born and raised in Charleston, SC.http://www.stoplightobservations.com/LITTLE BIRDThe indie band, Little Bird, is composed of musicians Jay Hurtt (vocals), Noah Jones (piano), Oleg Terentiev (drums), Ben Mossman (bass), and Jim Rubush (guitar). Their musical endeavors as this incarnation of the group commenced in 2017, laying the groundwork for their genre-bending, signature sound with the 2018 record, Familiar, produced by Shane Woods and Jeff Lucci of Mo Lowda. In 2021 Little Bird released their first full-length album. Inspired by their favorite modern and vintage artists, Hiatus Kaiyote, Nick Hakim, D’Angelo and Stevie Wonder, the 23-track odyssey is entitled, ‘PROXIMA’ (latin for ‘nearest’ or ‘next’) and is currently being released in 3 separate EPs; Alpha, Beta, and Gamma. Proxima: Gamma hits streaming platforms on August 16th, 2021.http://www.thisislittlebird.com/
Pathogenesis ~ Nganga ~ Concrete Caveman
**All shows 21+—valid ID required for entry**Doors: 7 PMShow: 7:30 PMPATHOGENESISCrushing deathgrind from Raleigh, NChttps://pathogenesis.bandcamp.com/album/greasy-exudateNGANGARaleigh black metalhttps://ngangaband.bandcamp.com/album/de-muerteCONCRETE CAVEMANhttps://concretecaveman.bandcamp.com/album/chasm
Fires in the Distance ~ Fellahin Fall ~ IATT ~ The World Without Us
**All events 21+—valid ID required for entry**Doors: 6 PMShow: 7 PMFIRES IN THE DISTANCEMelodic Doom Metal from CT, USAhttps://firesinthedistance.com/FELLAHIN FALLFellahin Fall is a gothic-industrial metal band born out of the crushing urbana of Brooklyn, New York. Atavistic yet post-human, Fellahin Fall tells tales of an atomized man’s yearned escape from the Metropolis.https://fellahinfall.bandcamp.com/IATTPhiladelphia based Extreme Metal Leviathan spewing prophetic anti-hope to a world in darkness.https://iamthetrireme.bandcamp.com/THE WORLD WITHOUT USActive since 2018, The World WIthout Us are a fairly new group, one that has been honing their skills and defining their sound in the NorthEast metal scene. Playing with many local heavy hitters, The World Without Us set themselves apart by cultivating a sound that blends genre-bending progressive death metal with modern strains of heavy, groovy, and often uplifting modern progressive metal. https://theworldwithoutus.bandcamp.com/
Jarren Benton ~ Oswin Benjamin ~ Nazeer Art’aud
**All events 21+ — Valid ID required for entry**Doors: 7 PMShow: 7:30 PMFour years after being voted in by fans as the People’s Choice selection for XXL’s 2014 Freshman Cover, JarrenBenton is starting over. He’s a seasoned veteran doubling down on the lyricism he made his name on, but his new music experiments with new emotion and bottles up the last few years of his life. In 2012, the Decatur emcee began making a name for himself on the outsider indie label Funk Volume, where he carved out a unique brand of ferociously lyrical, tongue-in-cheek horrorcore. At the label, his early mixtapes carried titles like Huffing Glue with Hasselhoffand Freebasing With Kevin Bacon, equal parts comedy and terror, like a goofy slasher flick come to life. Benton’s time with Funk Volume was punctuated by a debut album and a follow-up EP (My Grandma’s Basementand Slow Motion Vol. 1), national and international tours, and then, in 2016, the label’s sudden fold. Ever since, Benton has been reinventing and reintroducing himself. “People were introduced to me as the ‘Skitzo,’ guy” he says, harking back to his breakout single nearly seven years ago. “They had a certain expectation that was very outlandish, very lyrical. Lately its’ been more personal.” Benton has been a prolific mixtape artist and voracious rapper throughout his career, but his albums have been heavier and more carefully tuned. Last year he released The Mink Coat Killa, an album-length homage to the gritty New York hip-hop sound Benton grew up admiring from afar. Benton’s new music also looks ahead by nodding back, rekindling a working relationship with his longtime producer Kato—the executive producer of his new album—and throwing his styles in a blender: part lyrical attack, part journal-like reflection, still a little disturbed. “I think when people listen to an artist from Atlanta, they have certain expectations of what they’re gonna hear,” Benton says. “My shit is very left from the artists from Atlanta, but it still embodies that sound.”OSWIN BENJAMINhttps://www.instagram.com/oswinbenjaminNAZEER ART’AUDNazeer Art’aud is an independent artist from Philly who began rapping at the age of 12. His earliest vivid memory of falling in love with hip hop, is cruising through Philly in his Uncle June’s green hoopty listening to Gimme the Loot by The Notorious B.I.G. Alex Smith of WXPN described his style as “the epitome of the street stories and outre metaphors of late ‘80s to early ‘90’s hip hop, exhibiting a lyrical quality delivered in the cadence of peak Biggie Smalls but drunk watching Saturday morning cartoons.” Art’aud wants his music is to entertain audiences via dope storytelling, and in return, he just wants them to feel something while traveling on the musical journey that he takes them on. https://linktr.ee/nazeerartaud