Human Zoo ~ That Handsome Devil

J Roddy Walston

Hiroe ~ No Trees Touch the Sky ~ Dirt Birth ~ Luna Honey

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:00 PM Show: 6:30 PM HiroeNo Trees Touch the SkyDirt BirthLuna Honey

The Legendary Pink Dots ~ Orbit Service

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM The Legendary Pink Dots Way way back in the early days I used to say a lot about ‘The Terminal Kaleidoscope’ , a concept comparing the fragile planet we live on to a drowning human being with life flashing before his or her eyes, the images constantly accelerating. It’s 2024, a little over 2 decades since the turn of this unbearably turbulent century and the concept appears to have become an unlikely soap opera where we are the cast. Let’s hang in there….. – Edward Ka-Spel SO LONELY IN HEAVEN – THE CREATION ‘So Lonely in Heaven’ is The Legendary Pink Dots’ second album since the World stopped for a Global Pandemic.With members scattered across three countries and two continents, our guilty confession is that quite a few Air Miles were consumed in its creation.Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running. SO LONELY IN HEAVEN – THE MESSAGE The machine is everything we are. It sees everything, hears everything, knows everything and feeds, speeds, drinks us down, spits us out – we lost control of it at the instant of its conception.You may cough, curse and die, but the machine will resurrect you without the flaws, at your peak, smiling from a screen, bidding someone in a lonely room to join you.It’s an invitation from Heaven, where anyone can be anything they want to be, but it’s a Nation of One.You’ll be everything we are. You’ll be a shadow of yourself. You’ll repeat yourself- endlessly. You’ll be desperate for some kind of explanation . You’ll be lonely. So very lonely… Orbit Service Orbit Service drifts into spellbinding new terrain with Leave For Good, an album that expands upon Randall Frazier’s deeply captivating inward explorations. Since the arrival of 2021’s Dreamless LP, Orbit Service has built upon Frazier’s partnership with guitar player and Legendary Pink Dots cohort Erik Drost. The result is a billowing atmospheric collection of songs that plumb the depths of isolation, loss, and an awareness of time slipping away—accelerating out of control. Frazier has spent years collaborating with the likes of Mark Spybey of Dead Voices on Air, Kim G. Hansen of Antenne, and Edward Ka-spel of the Legendary Pink Dots. Drost, who first appeared on Orbit Service’s 2021 album Dreamless, has since become a full-fledged member of Orbit Service, bringing new depth and cohesion to the music. Throughout the album, songs such as “Beyond Beyond,” “Try Not To Be Blue,” and “Sleepwalk,” unfold like meditations on the fragility of existence. They are vast and atmospheric, filled with droning textures and lingering melodies that resonate with the dreamlike essence of the LPDs, while pushing Frazier’s musical vision into deeper and more ethereal realms of melancholy. Spectral violin and viola rhythms, courtesy of Devothcka’s Tom Hagerman, blend seamlessly with Frazier’s voice and electronic textures carrying the ambiance far beyond the bounds of waking life. – Chad Radford

Rat Jester ~ Lowercoaster ~ Nothing Wrong

Dash Rip Rock ~ Kiss Boom Bah

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM Dash Rip Rock Dash Rip Rock is the legendary New Orleans trio known for high-octane roots rock. The New York Times raves they combine, “fluency in American roots music with a robust dose of punk-rock spirit.” SPIN praises them as, “undeniably the South’s greatest rock band.” In 2012 Dash Rip Rock was honored to be inducted into the Louisiana Music Hall of Fame. Bill Davis, founder, lead guitarist, vocalist and songwriter of Dash Rip Rock is often credited as a pioneer of country punk or “cowpunk.” This high energy genre combines elements of rock with country, outlaw country and punk rock. In interviews Davis says that he considers his music to be widely roots-based. The Austin Chronicle calls Davis “the brains behind Dash’s brawn, a barroom poet with a wicked sense of humor and a shameless knack for a good lick. Kiss Boom Bah

Gamblers ~ Public Access ~ Penny Dog

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:30 PM Show: 7:00 PM Gamblers With millions of Spotify streams and a knack for blending organic and electronic sounds, Gamblers has become a standout force in modern indie music. Their hit single “Another Dose,” featuring Mick Jenkins, propelled their 2022 remix EP “When We Exit” into the spotlight, earning critical acclaim and a loyal fanbase. The group has seen airplay on both Sirius XM’s “Underground Garage” and local radio and has also been featured in PopMatters, Under the Radar, Paste Music, and other publications. Led by founder and bandleader Michael McManus, Gamblers has transformed life’s challenges into electrifying music. Their latest album, Pulverizer, showcases their signature fusion of indie-pop, funk, and disco influences. The infectious grooves and sharp hooks tackle weighty themes with a vibrant energy that’s both contemplative and celebratory. The band’s dynamic live performances are anchored by drummer Johnny Hoblin’s precision and guitarist Jimmy Usher’s pop instincts, creating an experience that’s as polished as it is heartfelt. With influences ranging from the Beach Boys to Mobb Deep and a sound described as “deep, patient, and hook-laden,” Gamblers is redefining what it means to be an indie band. Public Access Pennydog

Codefendants ~ Chris Conde

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 8:00 PM Codefendants Get Dead vocalist Sam King’s graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was in prison. Months later they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock. They didn’t know it yet, but they had just started Codefendants. Impossible to define by traditional standards, Codefendants were forged out of a desire to make an album that sounded like nothing else while still capturing the feeling of music they admired as kids growing up in the Bay Area. Fat Mike, bassist of NoFX and punk hero was floored when he heard the first three demos and joined the project as lead producer, studio bassist & additional songwriter. In 2023 This Is Crime Wave was voted Punk Rock Vinyl album of the year, publications such as Kerrang, Dying Scene, Outburn & New Noise Magazine have praised it. Chris Conde Since 2010, multi-instrumentalist, producer and rapper, Chris Conde has been actively playing shows across the United States. He has been featured at major music events and festivals like Maverick Music Festival in San Antonio, G.I.A.N.T. Fest in Brooklyn, Blow Pony in Portland and Stargayzer in Austin. Conde has also served as direct support for well-known touring acts and indie rappers including LCD Soundsystem, Circa Survive, Cupcakke, Big Freedia, Sno Tha Product, Tha Alkaholiks, Lupe Fiasco, Bushwick Bill, Sage Francis, Grieves, Sadistik, Sole, Grayskul, Rory Ferrira, Sims, Shreddders (Doomtree), Busdriver, Ceschi, Sammus, Armand Hammer, MC Chris and Jonwayne to name a few. On December, 6 2019 Fake Four Inc. Released Conde Digital a five song EP produced entirely by Moodie Black, which is available via Fake Four’s Bandcamp page as well as all streaming sites including Spotify, iTunes, Deezer, etc. Ultimately, Conde’s goal is to communicate through music his journey; the pitfalls, relapses, homelessness and self acceptance as a queer person so that his listeners might connect with the universal theme of hope. Conde’s work in the LGBTQ community has led him to start an all-LGBTQ performance showcase called Queers & Beers in 2015, which features performers from multiple genres of music. He also founded the very first LGBTQ music radio show in San Antonio called Queer Vibes on KRTU 91.7 FM the following year, which still runs from 11pm-Midnight every Sunday and features local, national and international music from the LGBTQ community.

Season To Risk ~ Plaque Marks

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PMShow: 7:30 PM Season To Risk Season to Risk are a Kansas City, Missouri band who play noise rock and post-hardcore music in the vein of Jesus Lizard and Six Finger Satellite with a new Record Store Day 2025 release 1-800-MELTDOWN (2025) on Init Records. Plaque Marks

SUUNS ~ Activity

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM SUUNS “Evil is very real and having its way, and love is also real and hasn’t lost yet.” That’s how Activity’s Travis Johnson described their third album, A Thousand Years In Another Way. A friend had asked why these songs seemed to capture the strange, heavy feeling of being alive right now better than anything else—and that was his answer. The album doesn’t try to explain this time we’re living in; it simply feels like it. It’s a mix of violence, alienation, and tenderness—reflecting the surreal, dreamlike (or nightmarish) rhythm of daily life. Across ten songs, Activity blends experimental rock, electronics, and found sounds with a sense of paranoia, flickers of hope, and a warped reality. Working with producer Jeff Berner (Psychic TV), the band manipulated sounds and played with room acoustics to create a feeling that’s disorienting—like the air is thick and the walls are listening. Coming out of a period of uncertainty, the Brooklyn-based quartet—Travis Johnson, Jess Rees, Bri DiGioia, and Steven Levine—pieced the album together from fragments: clipped samples, looping guitar lines, ghostly melodies. Rees, DiGioia, and Johnson share vocal and writing duties, shaping a record that feels both deeply personal and strangely alien. There’s a constant sense that things could shift or fall apart at any second—nothing stays one thing for long. The lead single and opening track, “In Another Way,” sets the tone with its raw energy and unsettling refrain: “Who will marry me now? All the good husbands have drowned.” The feeling of instability continues with “We Go Where We’re Not Wanted,” a track built from layered samples and broken rhythms, evoking a society on the brink. Throughout the album, vulnerability coexists with unease. “Piece of Mirror” offers a ghostly, minimalist moment, blending Herman Hesse-inspired lyrics with found sounds and a pulse that feels both innocent and ominous. “Good Memory” and “Her Alphabet” explore the dark side of lost innocence, while “Heavy Breathing” softens the mood with a tender nod to ‘80s synth-pop. “Scissors” pairs heavy, crushing bass with light, sweet melodies, while “Your Dream” and “I Came Here to Harm You” lean into confrontation—diving into resentment and how it quietly creeps into everyday life, both personal and political. The album closes with “A Beast,” a towering, ominous track inspired by Blood Meridian and the Book of Revelation. It reflects on the persistence of evil, but also dares to imagine its end. It’s a fitting conclusion for an album that exists in a bruised, disorienting, and strangely beautiful world. Activity On their sophomore album Spirit in the Room, Activity is haunted. Haunted by technology. Haunted by the loss of loved ones. By capitalism and humanity’s relentless death march towards environmental destruction. Produced by Psychic TV’s Jeff Berner, the album is an emotional seance held through an unearthly haze of menacing trip hop, ambient electronica, and synth-based noise rock.

Genre: Rock