Hallelujah The Hills ~ The Tisburys ~ Dan Spenser

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM Hallelujah The Hills Hallelujah The Hills have been releasing critically acclaimed albums and touring the U.S. since 2007. Described by Spin as “criminally underappreciated” and lauded by Pitchfork for their “fist pumping anthems,” they’ve been declared “Boston legends” in their hometown by the Globe. The Hills released their first two albums on Misra Records, assisted Titus Andronicus in recording their breakout album The Monitor, and are one of the only bands to have ever toured with The Silver Jews. Their sound was creatively explained as “the kind of punk rock you’d expect on stage at the roadhouse from ‘Twin Peaks’” in The Boston Herald. Others go further, with Aquarium Drunkard noting “few do it with the style and imagination of Hallelujah the Hills” and Captain’s Dead boldly publishing that they “without a doubt they are one of the greatest bands currently making music.” Their last full-length release, the 2019 album entitled I’m You, was the best received release of the Hills’ nearly 20 year career, scoring 9/10 by The Line of Best Fit, called “one of the best American rock albums of recent years. ★★★★★” by Exile Magazine, and declared “a lyrical masterpiece” by Metro. A recent sold-out live performance of the entire I’m You album in Boston saw fans flying in from all over the United States to attend. The Tisburys Will it all just stay the same?” asks songwriter Tyler Asay on “Forever”, the first single from The Tisburys’ new album, A Still Life Revisited. Recorded at Dr. Dog’s Mt. Slippery studio in the suburbs of Philadelphia with their longtime engineer/producer Justin Nazario, A Still Life Revisited is The Tisburys’ most collaborative effort to date. In an era where “bands” are seen as one individual, this is truly a “band record” with every member contributing songwriting and production ideas (especially from longtime lead guitarist John Domenico and keyboardist/co-producer Jason McGovern). “The goal with this record was ‘everything in its right place” says Asay. “Every instrument is playing its part and every song came together like a puzzle”. While their last album (2022’s Exile On Main Street) channeled 90s radio rock such as Gin Blossoms and The Replacements, A Still Life Revisited pushes into the aughts with the rustic bombast of millennial indie such as Frightened Rabbit and The Hold Steady. With themes that tackle memory & chosen family, A Still Life Revisited overflows with songs that find home in both packed dive bars and stadiums. It’s about looking back at your life, the choices and decisions you’ve made, and celebrating where you ended up today. The album was mixed by Phil Joly (The Strokes, Daft Punk, Lana Del Rey), mastered by Ryan Schwabe (Beach Bunny, Slaughter Beach Dog, Hop Along). Dan Spenser

Human Zoo ~ That Handsome Devil

J Roddy Walston

Hiroe ~ No Trees Touch the Sky ~ Dirt Birth ~ Luna Honey

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:00 PM Show: 6:30 PM HiroeNo Trees Touch the SkyDirt BirthLuna Honey

The Legendary Pink Dots ~ Orbit Service

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM The Legendary Pink Dots Way way back in the early days I used to say a lot about ‘The Terminal Kaleidoscope’ , a concept comparing the fragile planet we live on to a drowning human being with life flashing before his or her eyes, the images constantly accelerating. It’s 2024, a little over 2 decades since the turn of this unbearably turbulent century and the concept appears to have become an unlikely soap opera where we are the cast. Let’s hang in there….. – Edward Ka-Spel SO LONELY IN HEAVEN – THE CREATION ‘So Lonely in Heaven’ is The Legendary Pink Dots’ second album since the World stopped for a Global Pandemic.With members scattered across three countries and two continents, our guilty confession is that quite a few Air Miles were consumed in its creation.Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running. SO LONELY IN HEAVEN – THE MESSAGE The machine is everything we are. It sees everything, hears everything, knows everything and feeds, speeds, drinks us down, spits us out – we lost control of it at the instant of its conception.You may cough, curse and die, but the machine will resurrect you without the flaws, at your peak, smiling from a screen, bidding someone in a lonely room to join you.It’s an invitation from Heaven, where anyone can be anything they want to be, but it’s a Nation of One.You’ll be everything we are. You’ll be a shadow of yourself. You’ll repeat yourself- endlessly. You’ll be desperate for some kind of explanation . You’ll be lonely. So very lonely… Orbit Service Orbit Service drifts into spellbinding new terrain with Leave For Good, an album that expands upon Randall Frazier’s deeply captivating inward explorations. Since the arrival of 2021’s Dreamless LP, Orbit Service has built upon Frazier’s partnership with guitar player and Legendary Pink Dots cohort Erik Drost. The result is a billowing atmospheric collection of songs that plumb the depths of isolation, loss, and an awareness of time slipping away—accelerating out of control. Frazier has spent years collaborating with the likes of Mark Spybey of Dead Voices on Air, Kim G. Hansen of Antenne, and Edward Ka-spel of the Legendary Pink Dots. Drost, who first appeared on Orbit Service’s 2021 album Dreamless, has since become a full-fledged member of Orbit Service, bringing new depth and cohesion to the music. Throughout the album, songs such as “Beyond Beyond,” “Try Not To Be Blue,” and “Sleepwalk,” unfold like meditations on the fragility of existence. They are vast and atmospheric, filled with droning textures and lingering melodies that resonate with the dreamlike essence of the LPDs, while pushing Frazier’s musical vision into deeper and more ethereal realms of melancholy. Spectral violin and viola rhythms, courtesy of Devothcka’s Tom Hagerman, blend seamlessly with Frazier’s voice and electronic textures carrying the ambiance far beyond the bounds of waking life. – Chad Radford

Rat Jester ~ Lowercoaster ~ Nothing Wrong

Dash Rip Rock ~ Kiss Boom Bah

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 8:00 PM Dash Rip Rock Dash Rip Rock is the legendary New Orleans trio known for high-octane roots rock. The New York Times raves they combine, “fluency in American roots music with a robust dose of punk-rock spirit.” SPIN praises them as, “undeniably the South’s greatest rock band.” In 2012 Dash Rip Rock was honored to be inducted into the Louisiana Music Hall of Fame. Bill Davis, founder, lead guitarist, vocalist and songwriter of Dash Rip Rock is often credited as a pioneer of country punk or “cowpunk.” This high energy genre combines elements of rock with country, outlaw country and punk rock. In interviews Davis says that he considers his music to be widely roots-based. The Austin Chronicle calls Davis “the brains behind Dash’s brawn, a barroom poet with a wicked sense of humor and a shameless knack for a good lick. Kiss Boom Bah

Gamblers ~ Public Access ~ Penny Dog

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:30 PM Show: 7:00 PM Gamblers With millions of Spotify streams and a knack for blending organic and electronic sounds, Gamblers has become a standout force in modern indie music. Their hit single “Another Dose,” featuring Mick Jenkins, propelled their 2022 remix EP “When We Exit” into the spotlight, earning critical acclaim and a loyal fanbase. The group has seen airplay on both Sirius XM’s “Underground Garage” and local radio and has also been featured in PopMatters, Under the Radar, Paste Music, and other publications. Led by founder and bandleader Michael McManus, Gamblers has transformed life’s challenges into electrifying music. Their latest album, Pulverizer, showcases their signature fusion of indie-pop, funk, and disco influences. The infectious grooves and sharp hooks tackle weighty themes with a vibrant energy that’s both contemplative and celebratory. The band’s dynamic live performances are anchored by drummer Johnny Hoblin’s precision and guitarist Jimmy Usher’s pop instincts, creating an experience that’s as polished as it is heartfelt. With influences ranging from the Beach Boys to Mobb Deep and a sound described as “deep, patient, and hook-laden,” Gamblers is redefining what it means to be an indie band. Public Access Pennydog

Codefendants ~ Chris Conde

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 8:00 PM Codefendants Get Dead vocalist Sam King’s graffiti crew were giving tattoos and making flash art to raise money to help rapper Ceschi Ramos when he was in prison. Months later they met at the Gilman Street Project in Berkeley, California. They bonded, talking about their love of hip-hop and punk rock. They didn’t know it yet, but they had just started Codefendants. Impossible to define by traditional standards, Codefendants were forged out of a desire to make an album that sounded like nothing else while still capturing the feeling of music they admired as kids growing up in the Bay Area. Fat Mike, bassist of NoFX and punk hero was floored when he heard the first three demos and joined the project as lead producer, studio bassist & additional songwriter. In 2023 This Is Crime Wave was voted Punk Rock Vinyl album of the year, publications such as Kerrang, Dying Scene, Outburn & New Noise Magazine have praised it. Chris Conde Since 2010, multi-instrumentalist, producer and rapper, Chris Conde has been actively playing shows across the United States. He has been featured at major music events and festivals like Maverick Music Festival in San Antonio, G.I.A.N.T. Fest in Brooklyn, Blow Pony in Portland and Stargayzer in Austin. Conde has also served as direct support for well-known touring acts and indie rappers including LCD Soundsystem, Circa Survive, Cupcakke, Big Freedia, Sno Tha Product, Tha Alkaholiks, Lupe Fiasco, Bushwick Bill, Sage Francis, Grieves, Sadistik, Sole, Grayskul, Rory Ferrira, Sims, Shreddders (Doomtree), Busdriver, Ceschi, Sammus, Armand Hammer, MC Chris and Jonwayne to name a few. On December, 6 2019 Fake Four Inc. Released Conde Digital a five song EP produced entirely by Moodie Black, which is available via Fake Four’s Bandcamp page as well as all streaming sites including Spotify, iTunes, Deezer, etc. Ultimately, Conde’s goal is to communicate through music his journey; the pitfalls, relapses, homelessness and self acceptance as a queer person so that his listeners might connect with the universal theme of hope. Conde’s work in the LGBTQ community has led him to start an all-LGBTQ performance showcase called Queers & Beers in 2015, which features performers from multiple genres of music. He also founded the very first LGBTQ music radio show in San Antonio called Queer Vibes on KRTU 91.7 FM the following year, which still runs from 11pm-Midnight every Sunday and features local, national and international music from the LGBTQ community.

Season To Risk ~ Plaque Marks

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PMShow: 7:30 PM Season To Risk Season to Risk are a Kansas City, Missouri band who play noise rock and post-hardcore music in the vein of Jesus Lizard and Six Finger Satellite with a new Record Store Day 2025 release 1-800-MELTDOWN (2025) on Init Records. Plaque Marks

Genre: Rock